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Born Sad

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“She was always making jokes in class, kept us laughing all the time.”

“I don’t know that I ever see her without a big smile.”

“Some people are just born funny.”

They’re not talking about me.

Not that I don’t have a sense of humor that can range from silly to sarcastic to full-on giggle torrent. Sit me down watching an episode of “QI” or “Would I lie to you?” and I’ll drive my husband crazy, laughing with my headphones on. All he sees is a crazy person going manic while I’m listening to Sandy Toksvig or David Mitchell. It must be like being in the room while someone else is having a phone conversation–on LSD.

And I tell jokes or what I hope are jokes in my QiGong classes and I’d like to think the students’ laughter is more than politeness on their part–although QiGong students do tend toward the polite end of the civility spectrum.

But I’m not by nature a happy person. I am more likely to politely disappear into a private world where thoughts run more toward the unhappy stories I hear, the pain that someone must have felt when they were let go from a job or told off by a friend, the grief and loss of a pet or relative or even an object they held in value. I will think of these things and feel a visceral deep ache in my heart and gut despite not being personally affected.

And when the loss is my own, I carry my sadness forever. Not every moment of every day, not in a way that keeps me from enjoying a good dinner and drink or a beautiful walk, but somewhere in what might be called by some my ‘soul.’ The pain of the death of my beautiful caramel tabby almost three years ago will just, from seemingly nowhere, wrap a fist around me and I will hurt almost as deeply as I did the last time I caressed his fur.

I’m not speaking of depression, either, here. I have gone through periods of deep and lasting depression, depression that seems to have no cause, no igniting source, per se. So I know what that feels like all too well. No, this no antidepressant or talk therapy would change. This sadness is simply part of my being.

My life walks in a deep forest, the limbs dragged down by their mantles of leaves, the senses dampened, the sounds of insects humming in the dark, beautiful but always dialed down to a few decibels lower than what those on the sunny savannah might hear. The knot in the chain won’t be untangled; the chip in the vase not repaired; the broken heart remains broken.

Those of us born in sadness aren’t more intuitive necessarily or more sensitive. I know I’m not. We just see the world revolving with downturned lips, beautiful nonetheless.

I’m happy there are those who are ‘born funny.’

And I’m just fine being born sad.

Snippet 2 of Taoist Mystery: Being With Nothingness

Obviously, the only reason I’m putting a few of these very first draft, rather random sections of my work ‘in progress,’ I’ll call it loosely, is to find out whether any readers out there would be the slightest bit interested in continuing if they stumbled across this: would you want to know any who, what, why, when, where? Please remember, compassion is a very mindful trait.

Snippet Two:

And now I was staring at a ditch that didn’t exist yesterday at the edge of a woods that was mostly brush and scrub pine with a roommate who I didn’t even really know at a retreat lead by a mad monk. “Everything changes.” “Accept the Now.” I was trying very, very hard to do just that but  was also thinking about why the ditch had appeared, who had put it there and where did it begin? Or end? Somewhere up in the pines above the dunes. Without saying more, I began to climb the hill. Sam followed, his rolling lumber heavier than mine as was his breathing. As the hill went up, the path turned from slushy grass to rocks and then to no path at all. But the ditch was still there beside us providing a trail when the trail had given up.
Finally, we stopped. The ditch stopped. The trees stopped.. We were in a clearing, a hole in the woods, nothing but dirt and a few wisps of bad grass with a few stumps dotting it. And at the very edge of the ditch, face down, head on one side, torso the other, lay a person. Or “once was a” person because she looked very, very dead. I knew I was letting my expecting mind get in the way. There really wasn’t any certainty that the body was a she. There was very long white-blond hair but it wasn’t like I had never run into a metal band before; and the figure was slight and didn’t look very tall but one of my favorite friends was a 5’ 3” drag queen so that meant nothing. And really, even the “dead” part, was I so sure about that? Who knows how comfortable lying face down across a ditch to sleep off a drunk might be, after all?

A few years before, I had taken a CPR class and I remembered at least the first part—the whacking and shouting part. To be absolutely correct I should first shout “Call 911” to Sam but there were no cell phones allowed at the retreat so that seemed a bit needlessly dramatic. I skipped straight to step two: I walked over yelling “Are you ok? Are you ok?” and started hitting the—person—on the back with the palm of my hand. Hard. There was a girl in the CPR class who had just said in a quiet voice “are you ok?” and she got reamed out by the instructor. I wasn’t making that mistake. “Are you ok?” I screamed as loud as I could and thwacked the—person—again.
“What the hell are you doing?” Sam snarled. “You can tell she’s dead.”
“How do you know it’s a ‘she’? Aren’t you bringing your expectations to this? Shouldn’t you approach it with ‘beginner’s mind’?”
“Well, she or he or it is still dead.”
I paused my back slapping, looked at the unmoving—body—the new position I had just promoted the person to.
“Yeah. What do we do? We can’t call the police; there’s no phone anywhere around. And in all the good detective shows, you learn not to touch the body, so we shouldn’t, but…”
“But you’re really jonesing to find out whether it’s a he or she, aren’t you?” Sam said, tilting back his neckless chin to peer down his nose at me. “Well, do it. Don’t keep me waiting,” he went on, smiling like the good little enabler he was.
I thought about at least waiting until we told Leon, the director of the retreat, the “monk” who ran the place like Mussolini on meth but I wasn’t sure the “mad monk” would be the best person to do the turning over. I already had him pegged as a main suspect. So my slapping hand now became my turning hand and I rolled the—woman–because she had now had a second promotion—over.

Snippet from early stages of my Taoist mystery

The ditch didn’t exist yesterday. Then again, I didn’t exist yesterday, at least not the “I” that was standing at the edge of a ragged ditch stretching from three feet to my left up the dunes into the trees. Right. Everything Changes. I knew that part. But a ditch doesn’t just become a ditch overnight.

Sam came up behind me.

“That ditch wasn’t there yesterday.”

He bent over the edge, looking into it as if the answer to its birth would be gazing up at him from its bottom.

“Nope.”

“Well, how did it get there? Who dug it?”

“Everything Changes,” I said, knowing that I might as well just have said “Your mama’s so fat….”

“Don’t give me that crap. A ditch doesn’t just become a ditch overnight.”

Excellent. Something we could agree on out here in the middle of nothing at the end of nowhere.  Sam and I had come out here so he could ‘find’ himself. And the first thing we found was a ditch.

‘Bash It Out Now; Tart It Up Later’

Whether or not that’s really what Nick Lowe used to tell the bands he was producing, it’s an excellent method of doing…well, just about anything. So here goes, bashing:

I want to write. I want to write daily. I want to write as “the thing I do.”

I don’t want to do this because I’m a good writer. Once I might have been an ‘ok’ writer but that was in graduate school so maybe I’m just remembering the hubris of every grad student in literature. Mercifully, I didn’t save any of my writing from 40 years ago so I’ll never be able to dismay, despair or disabuse myself of this idea. No, I’m a pretty bad writer.

I don’t want to write because I get pleasure out of it. Writing sucks. Writing is hard. Writing is both torturous and tortuous because it twists my brain into the kind of little bundles socks and underwear come out of the dryer in. I hate sitting in front of a keyboard or picking up a pen whether I’m writing a blog piece, an email or a birthday card. I used to tell my students that was what made me a good writing teacher: I knew just how much they hated it and wanted it all to just go away. No, I don’t get pleasure out of writing.

I want to write because writing is there. Inside my head, thoughts are thoughts and they can grow and play and saunter around all night but they are never ‘there.’ Never within a moment; never here. Only by writing them down do they become the plum, become the juice of the time that I have right now as I dangle on the vine between the tiger above and the tiger below. I want to write because writing is being.

Sit, Black Dog, Sit

My, I have been silent a long time, haven’t I?

St_Johns_dog

The image of depression as a black dog is usually that of a Baskerville-like hound, running at the heels, biting and snapping. And yet that seems terribly active for the depressed state, one where the sufferer is more likely to simply wait to be devoured than to run away.

My black dog seems more likely to settle in at my side, head dropped on paws, unmoving and unmovable. He just sits. Is he waiting for me to make the first move so he can then spring up to block my way, stopping any forward progress I might try to make? No, I don’t think so. He knows I’m not going anywhere; he knows I don’t have the mental energy. He’s really quite content to hang with me, to be my wing man (if that’s not too confusing a metaphor for a dog). When he nestles beside me, my black dog of depression seems almost calm and friendly rather than threatening and ravening.

He sits. I sit. I do what has to be done. And when I return from those chores, he’s there, waiting and sitting. If I stumble into a burst of activity, he isn’t threatened. My black dog knows I’ll be back, that I’ll always return to him. And sit with him. And he will sit with me. Calm. Strong. Stronger than I. Lowered head, sad eyes, knowing eyes. How could I ever leave him?